Daily Dead
TIFF 2021 Review: Rob Savage’s DASHCAM is a Gore-Filled, but Insensitive Mad Ride
2021/09/17 18:31:59 +00:00 | Zofia Wijaszka
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TIFF 2021 Review: LAKEWOOD is an Emotional Drama About a Mother’s Race Against Time
2021/09/16 19:21:47 +00:00 | Zofia Wijaszka
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TIFF 2021 Review: THE GUILTY Is an Anxiety-Ridden, Tense Thriller with a Focus on Mental Health
2021/09/15 15:35:38 +00:00 | Zofia Wijaszka
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Review: James Wan’s MALIGNANT is an Audacious Love Letter to Italian Horror
2021/09/10 05:00:08 +00:00 | Heather Wixson
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Fantasia 2021 Review Round-Up: MAD GOD and ULTRASOUND
2021/09/07 15:43:33 +00:00 | Heather Wixson
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Fantasia 2021 Review Round-Up: THE SADNESS, ALL THE MOONS, and HELLBENDER
2021/08/30 19:18:50 +00:00 | Heather Wixson
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Review: MOSQUITO STATE is a Visually Beautiful Film that Frustratingly Comes Up Short
2021/08/30 16:56:04 +00:00 | Emily von Seele
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Review: Nia DaCosta’s CANDYMAN [Monte’s Take]
2021/08/30 16:50:50 +00:00 | Monte Yazzie
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Review: Nia DaCosta’s CANDYMAN (2021) is a Bold Reinvention of a Horror Icon
2021/08/25 16:00:14 +00:00 | Heather Wixson
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Fantasia 2021 Review: MARTYRS LANE is a Dark Fairytale of an Unsettling Haunting
2021/08/24 15:24:44 +00:00 | Sara Clements
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North Bend Film Fest 2021 Review: CRYPTOZOO is a Wondrous, Though Imperfect Journey
2021/08/20 21:26:55 +00:00 | Emily von Seele
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Review: Neill Blomkamp’s DEMONIC Provides Stunning VR, but Can’t Stick the Landing
2021/08/20 17:17:42 +00:00 | Asher Luberto
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Fantasia 2021 Review: YAKUZA PRINCESS is a Journey of Identity with Samurai Style
2021/08/19 02:01:21 +00:00 | Sara Clements
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Fantasia 2021 Review: THE RIGHTEOUS is a Slow-Burn of the Soul
2021/08/18 03:19:46 +00:00 | Caitlin Kennedy
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Fantasia 2021 Review: GLASSHOUSE is a Lilting Pandemic Horror Film
2021/08/17 01:18:49 +00:00 | Caitlin Kennedy
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