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Fantasia 2018 Review: CAM is the First Real Millennial Horror Film
2018/07/31 00:11:12 +00:00 | Ben Larned
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Fantasia 2018 Review: THE NIGHT EATS THE WORLD Conjures a Familiar but Evocative Apocalypse
2018/07/30 21:26:04 +00:00 | Ben Larned
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Overlook 2018 Review: DON’T LEAVE HOME is an Artist’s Gothic Fever Dream
2018/04/27 20:27:49 +00:00 | Ben Larned
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Overlook 2018 Review: BLUE MY MIND Evokes Youthful Angst Through Beautiful Fantasy
2018/04/27 16:43:56 +00:00 | Ben Larned
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Overlook 2018 Review: SATAN’S SLAVES Refreshes Occult Tropes Through Humanity
2018/04/27 15:30:49 +00:00 | Ben Larned
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Recap: Boston Underground Film Festival 2018
2018/03/28 21:52:28 +00:00 | Ben Larned
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BUFF 2018 Review: TIGERS ARE NOT AFRAID is a Heartbreaking, Harrowing Sociological Fantasy
2018/03/27 21:45:22 +00:00 | Ben Larned
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BUFF 2018 Review: PIN CUSHION Spins Quirky Horror from Mundane Loneliness
2018/03/27 19:26:41 +00:00 | Ben Larned
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Ben’s Favorites of 2017
2018/01/06 17:16:03 +00:00 | Ben Larned
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Forbidden Tomes: The Vast Unknown โ€“ Hammer’s Homage to Algernon Blackwood in THE ABOMINABLE SNOWMAN (1957)
2017/12/29 22:13:29 +00:00 | Ben Larned
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Forbidden Tomes: Skeletons in the Skull โ€“ The Psychological Ghost Stories of J. Sheridan Le Fanu
2017/12/08 20:53:30 +00:00 | Ben Larned
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Forbidden Tomes: Music to Get Scared To โ€“ Pairing Singers with Authors
2017/11/25 00:37:08 +00:00 | Ben Larned
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Review: THE KILLING OF A SACRED DEER is a Kafka-esque Nightmare for Millennial America
2017/11/23 00:44:40 +00:00 | Ben Larned
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AFI Fest 2017 Review: MARLINA THE MURDERER IN FOUR ACTS is a Morbid Feminist Tonic for Violent Masculinity
2017/11/22 23:24:16 +00:00 | Ben Larned
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Ithaca Fantastik 2017 Review: LET THE CORPSES TAN Forgoes Narrative in Favor of Bizarre, Exquisite Style
2017/11/16 00:42:23 +00:00 | Ben Larned
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