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Fantastic Fest 2018 Review: THE NIGHTSHIFTER is a Crimson-Coated Mortality Tale That Delivers Plenty of Frights
2018/10/03
16:05:50 +00:00
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Nathan Smith
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Fantastic Fest 2018 Review: OPEN 24 HOURS Offers Us a Grisly Retro Slasher
2018/09/28
21:15:42 +00:00
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Nathan Smith
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Fantastic Fest 2018 Review: YOU MIGHT BE THE KILLER is Silly Slasher Fun
2018/09/27
21:36:53 +00:00
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Nathan Smith
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Fantastic Fest 2018 Impressions: William Lustig’s MANIAC 4K Restoration Screening and Q&A
2018/09/26
21:48:05 +00:00
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Nathan Smith
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Fantastic Fest 2018 Review: ONE CUT OF THE DEAD is an Infinitely Charming Zombie Movie
2018/09/26
17:14:35 +00:00
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Nathan Smith
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Latest Reviews
Fantastic Fest 2026 Review: RED SNOW is a Vampiric Christmas Horror Gift
Fantastic Fest 2026 Review: THE SWALLOW is a Murky Experience With Gnarly Effects
Fantastic Fest 2026 Review: JOLLYFACE is a Bold and Affecting Horror Story
Fantastic Fest 2026 Review: HALF is a Bloodthirsty Road Rage Ass-Kicker
Fantastic Fest 2026 Review: VICTORIAN PSYCHO is Maika Monroe at Her Best and Bloodiest
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Special Features
Interview: Brec Bassinger Discusses the Horror, Humor, and Killer Costumes of BUZZKILL
CAL MCDONALD: PLAGUE OF EVIL AND OTHER STORIES Interview with Steve Niles
TIFF 2026 Interview: Director Duncan Jones Unleashes ROGUE TROOPER
“TO SAVE HIM, THEY HAD TO DAMN HIM!” – ARCHIE IN HELL Interview with Tyler Crook, Plus a Process Art Preview
10 Underseen Silent Horror Films
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Editor's Choice
Exclusive Interview with Judith O’Dea and Photos from NIGHT OF THE LIVING DEAD: THE OFFICIAL STORY OF THE FILM
Interview: Michael Biehn Hypes Adam Wingard’s ONSLAUGHT, Discusses Re-Uniting with Arnold Schwarzenegger on THE KELLYS, and Reflects on 40 Years of ALIENS
[Guest Article] Maggots On Your Body Of Work: Clay McLeod Chapman On Finding His Own Muses
Editorial: The Church is the Quiet Terror in Exorcism Films
[Editorial] AI of the Living Dead: Why Have So Many Already Accepted the Simulation?
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