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Review: TILL DEATH is a Twisted and Unsettling Thriller That Looks at the Effects of a Damaging Double Standard
2021/06/28 22:18:45 +00:00 | Sara Clements
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Review: THE RETREAT is a Bloody Fun Slasher, But Shows the Harm of Selective Representation
2021/05/21 10:45:53 +00:00 | Sara Clements
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Review: THE UNHOLY Commits the Sin of Not Being Scary
2021/04/02 17:29:35 +00:00 | Sara Clements
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Review: SILK ROAD Brings to Screen a Look at the Beginning and the End of the First Modern Darknet Market
2021/02/18 20:16:05 +00:00 | Sara Clements
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Sara’s Favorite Women in 2020 Horror Films
2021/01/06 21:19:28 +00:00 | Sara Clements
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Review: Cinephiles, Film Historians, and TCM Addicts Rejoice! David Fincher’s MANK is the Definitive Movie About Hollywood for You
2020/11/09 18:05:10 +00:00 | Sara Clements
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Review: KINDRED Is a Maddening, Stressful Psychological Thriller About a Woman Held Captive
2020/11/02 15:03:14 +00:00 | Sara Clements
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Review: LOVE AND MONSTERS is a Fun as Hell, YA-Style Guide to Surviving (and Loving) in a Monster Apocalypse
2020/10/14 15:34:46 +00:00 | Sara Clements
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Gialloween 2020: PSYCHOUT FOR MURDER is Unlike Any Other Giallo
2020/10/13 21:50:06 +00:00 | Sara Clements
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Fantasia 2020 Review: SAVAGE STATE is an Unabashedly Feminine Western, the Best Since GODLESS
2020/08/31 19:45:29 +00:00 | Sara Clements
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Fantasia 2020 Review: BLEED WITH ME Plays with the Frightening Tricks of the Mind 
2020/08/27 03:21:31 +00:00 | Sara Clements
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Fantasia 2020 Review: THE RECKONING is an Epic Examination of the Witch Trials
2020/08/22 14:58:50 +00:00 | Sara Clements
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Fantasia 2020 Review: THE COLUMNIST is a Film for Everyone Who Wishes to Get Back at Online Trolls
2020/08/14 20:31:24 +00:00 | Sara Clements
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Review: Second Place in the Space Race, Russia Now Competes for the Alien Movie Crown with SPUTNIK
2020/08/11 19:15:55 +00:00 | Sara Clements
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Re-Examining the Lesbian Vampire and DRACULA’S DAUGHTER During a Movement Against Discrimination 
2020/08/06 22:24:32 +00:00 | Sara Clements
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