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Review: Taking the Vampire Out of CARMILLA is a Big Mistake
2020/07/17 17:21:54 +00:00 | Sara Clements
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Review: GHOSTS OF WAR Is an Adults-Only Haunted Mansion Ride That Loses Its Fun Factor
2020/07/17 15:53:17 +00:00 | Sara Clements
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Review: JUDY & PUNCH is an Old, Dark Tale of Puppetry with Punchy Relevance  
2020/06/05 16:48:06 +00:00 | Sara Clements
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Review: BLOOD QUANTUM Is a One-of-a-Kind Zombie Horror Flick
2020/04/28 04:01:59 +00:00 | Sara Clements
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Review: TRUE HISTORY OF THE KELLY GANG Is a Play on the Mythicism of Legends
2020/04/20 21:30:13 +00:00 | Sara Clements
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Review: THE OTHER LAMB is a Haunting Exploration of Adolescence
2020/03/31 20:10:59 +00:00 | Sara Clements
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Review: LOST GIRLS Is a True Story That Explores Why the Murders of Sex Workers Go Unsolved
2020/03/13 16:28:19 +00:00 | Sara Clements
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Review: TRUE FICTION Presents a Blood-Soaked List of Reasons Why You Should Never Meet Your Heroes
2020/03/02 17:53:40 +00:00 | Sara Clements
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Review: BLOOD ON HER NAME Is an Impressive Debut and a Fresh Take on the Noir Leading Lady
2020/02/26 15:55:28 +00:00 | Sara Clements
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Review: Netflix’s LOCKE & KEY is an Exciting New Series Full of Devilish Trickery
2020/02/05 21:24:35 +00:00 | Sara Clements
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Review: THREE CHRISTS is a Fascinating Exploration of the Mysteries of the Human Mind
2020/01/11 01:49:11 +00:00 | Sara Clements
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The Final Girl Theory and How It’s Utilized in Canadian Horror
2019/11/15 22:53:22 +00:00 | Sara Clements
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Editorial: What Makes DOCTOR SLEEP’s Rose the Hat So Appealing?
2019/11/14 23:46:28 +00:00 | Sara Clements
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Review: PREY is an Unoriginal Survival Thriller
2019/11/05 16:31:09 +00:00 | Sara Clements
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BHFF 2019 Review: SPIRAL Goes Full Tilt on the Horrors of Undying Prejudice
2019/11/01 16:08:35 +00:00 | Sara Clements
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