Daily Dead
Blame and Truth in THE LODGE
2020/03/03 22:45:45 +00:00 | Emily von Seele
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Review: TRUE FICTION Presents a Blood-Soaked List of Reasons Why You Should Never Meet Your Heroes
2020/03/02 17:53:40 +00:00 | Sara Clements
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Drive-In Dust Offs Double Feature: BLACK MAGIC (1975) and THE OILY MANIAC (1976)
2020/02/29 17:59:14 +00:00 | Scott Drebit
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A Fear So Familiar: THE INVISIBLE MAN (2020) Brings Visibility to Victim Perspectives
2020/02/28 23:23:55 +00:00 | Caitlin Kennedy
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Director Nia DaCosta & Producer/Co-Writer Jordan Peele Give Some Insights into Their Upcoming CANDYMAN Reimagining
2020/02/27 16:12:49 +00:00 | Heather Wixson
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Catalog From the Beyond: THE GHOST, aka LO SPETTRO (1963)
2020/02/26 23:49:11 +00:00 | Bryan Christopher
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Review: BLOOD ON HER NAME Is an Impressive Debut and a Fresh Take on the Noir Leading Lady
2020/02/26 15:55:28 +00:00 | Sara Clements
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Q&A: Director/Co-Writer Albert Shin on Filming in Niagara Falls and Working with David Cronenberg for DISAPPEARANCE AT CLIFTON HILL
2020/02/25 19:52:34 +00:00 | Derek Anderson
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Interview: Oliver Jackson-Cohen on Making the Most of His Limited Screen Time for THE INVISIBLE MAN (2020)
2020/02/25 18:15:15 +00:00 | Heather Wixson
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Review: With THE INVISIBLE MAN (2020), Leigh Whannell Has Crafted a Masterclass in Tension and Terror
2020/02/25 07:00:19 +00:00 | Heather Wixson
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Interview: Writer/Director Leigh Whannell Discusses Collaborating with Elisabeth Moss and More for THE INVISIBLE MAN (2020)
2020/02/24 20:12:15 +00:00 | Heather Wixson
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Q&A: Writers Cullen Bunn & Brian Hurtt and Artist Tyler Crook Discuss the Gothic Sorcery of MANOR BLACK
2020/02/24 17:28:46 +00:00 | Derek Anderson
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Drive-In Dust Offs: VAMPIRE CIRCUS (1972)
2020/02/22 17:33:52 +00:00 | Scott Drebit
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Interview: Ryan Kwanten Talks SACRED LIES: THE SINGING BONES, Reflects on TRUE BLOOD and DEAD SILENCE
2020/02/21 18:53:04 +00:00 | Heather Wixson
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Interview: Juliette Lewis Discusses Her Character and More for SACRED LIES: THE SINGING BONES
2020/02/20 22:48:19 +00:00 | Heather Wixson
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