Daily Dead
Preview: Daily Dead Visits Universal Studios Hollywood’s THE HAUNTING OF HILL HOUSE and THE BRIDE OF FRANKENSTEIN LIVES Horror Nights Mazes
2021/08/31 23:00:19 +00:00 | Heather Wixson
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Class of 1981: 7 Underappreciated Genre Films from 1981 That Are Worth Celebrating
2021/08/30 22:30:40 +00:00 | Heather Wixson
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Fantasia 2021 Review Round-Up: THE SADNESS, ALL THE MOONS, and HELLBENDER
2021/08/30 19:18:50 +00:00 | Heather Wixson
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Review: MOSQUITO STATE is a Visually Beautiful Film that Frustratingly Comes Up Short
2021/08/30 16:56:04 +00:00 | Emily von Seele
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Review: Nia DaCosta’s CANDYMAN [Monte’s Take]
2021/08/30 16:50:50 +00:00 | Monte Yazzie
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Class of 1981: NIGHT SCHOOL Provides an Enthralling Education in Giallo-Style Horror
2021/08/29 12:33:07 +00:00 | Derek Anderson
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Drive-In Dust Offs: THE FAN (1981) [Class of 1981]
2021/08/28 15:50:45 +00:00 | Scott Drebit
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Interview: Vanessa Estelle Williams Discusses Returning to the Iconic Franchise for CANDYMAN (2021)
2021/08/27 22:08:23 +00:00 | Heather Wixson
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Class of 1981: Hitting the Lonesome, Suspenseful Road with Richard Franklin’s ROAD GAMES
2021/08/27 15:08:25 +00:00 | Monte Yazzie
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Class of 1981: GRADUATION DAY – A Celebration of Blood, Cheese, and Mortarboards
2021/08/26 15:56:33 +00:00 | Ray Marshall
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Class of 1981: Revisiting FX Legend Stan Winston’s Creations for HEARTBEEPS and DEAD & BURIED
2021/08/25 20:49:32 +00:00 | Heather Wixson
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10 Must-See Contemporary Mexican Horror Films
2021/08/25 18:40:20 +00:00 | Justina Bonilla
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Catalog From The Beyond: NIGHTHAWKS [Class of 1981]
2021/08/25 17:51:32 +00:00 | Bryan Christopher
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Review: Nia DaCosta’s CANDYMAN (2021) is a Bold Reinvention of a Horror Icon
2021/08/25 16:00:14 +00:00 | Heather Wixson
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Class of 1981: THE MONSTER CLUB is Perfect Horror Movie Comfort Food for Monster Kids
2021/08/24 20:55:19 +00:00 | Jonathan James
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