Daily Dead
Gialloween 2020: TORSO is an Interesting Example of How Giallo Cinema Embraces and Embodies Different Characteristics
2020/10/14 22:44:24 +00:00 | Monte Yazzie
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Interview: Mike Flanagan Discusses Celebrating THE INNOCENTS with THE HAUNTING OF BLY MANOR
2020/10/14 21:20:17 +00:00 | Heather Wixson
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Interview: Co-Star Alix Angelis Discusses Taking on Her Challenging Role in THE CLEANSING HOUR
2020/10/14 19:16:21 +00:00 | Heather Wixson
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Review: LOVE AND MONSTERS is a Fun as Hell, YA-Style Guide to Surviving (and Loving) in a Monster Apocalypse
2020/10/14 15:34:46 +00:00 | Sara Clements
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Gialloween 2020: PSYCHOUT FOR MURDER is Unlike Any Other Giallo
2020/10/13 21:50:06 +00:00 | Sara Clements
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Interview: Mike Flanagan Discusses His Approach to Incorporating His Trademark Hidden Ghosts into THE HAUNTING OF BLY MANOR
2020/10/13 19:12:36 +00:00 | Heather Wixson
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Interview: Directors Rajeev Dassani and Elan Dassani Discuss EVIL EYE
2020/10/13 18:25:38 +00:00 | Heather Wixson
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Interview: Writer/Director Zu Quirke on the Coming-of-Age Horrors in NOCTURNE
2020/10/13 17:20:29 +00:00 | Heather Wixson
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Nightstream 2020 Review: 32 MALASANA Street is the Ghost Story You Need This Halloween
2020/10/13 15:54:34 +00:00 | Emily von Seele
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Nightstream 2020 Review: THE NIGHT Reminds Us That Hotels Are Terrifying Places
2020/10/13 15:00:44 +00:00 | Emily von Seele
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Salem Horror Fest 2020 Review Round-Up: DANNI AND THE VAMPIRE, THE LAST THANKSGIVING, and PAPI RAMIREZ VS GIANT SCORPIONS
2020/10/12 23:59:32 +00:00 | Heather Wixson
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The Heartbreaking Horror of Hannah Grose in THE HAUNTING OF BLY MANOR
2020/10/12 22:00:51 +00:00 | Nia Tucker
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Gialloween 2020: THE BLACK BELLY OF THE TARANTULA Embraces the Anything-Goes Approach to Italian Horror Storytelling
2020/10/12 21:00:25 +00:00 | Patrick Bromley
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Nightstream 2020 Review: REUNION is a Haunting Portrayal of a Family Trapped in Secrecy
2020/10/12 19:48:31 +00:00 | Emily von Seele
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Nightstream 2020 Review: LAPSIS Examines the Age-Old Struggle Between the Individual Worker and Corporate Monopolies
2020/10/12 19:00:53 +00:00 | Emily von Seele
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