Daily Dead
Review: TRUE HISTORY OF THE KELLY GANG Is a Play on the Mythicism of Legends
2020/04/20 21:30:13 +00:00 | Sara Clements
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Review: Shudder’s THE ROOM Plays as an Unnerving Tragedy
2020/04/03 17:18:31 +00:00 | Caitlin Kennedy
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Review: THE OTHER LAMB is a Haunting Exploration of Adolescence
2020/03/31 20:10:59 +00:00 | Sara Clements
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Review: MASS HYSTERIA Maintains a Quirky Sense of Humor While Staying True to Salem’s Dark Past
2020/03/31 18:59:16 +00:00 | Bryan Christopher
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Preview: Initial Thoughts on Shudder’s New CURSED FILMS Series, Featuring POLTERGEIST and THE OMEN
2020/03/27 18:07:57 +00:00 | Heather Wixson
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Blu-ray Review: APRIL FOOL’S DAY (1986) Collector’s Edition
2020/03/23 21:02:16 +00:00 | Heather Wixson
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Review: THE TOLL Serves as a Reminder That There’s Always a Price to Pay
2020/03/16 15:32:02 +00:00 | Heather Wixson
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Review: LOST GIRLS Is a True Story That Explores Why the Murders of Sex Workers Go Unsolved
2020/03/13 16:28:19 +00:00 | Sara Clements
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Review: THE HUNT Delivers Up a Satirical Look at the Current Political Climate
2020/03/11 13:00:15 +00:00 | Heather Wixson
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Review Round-Up: I BLAME SOCIETY and SWALLOW
2020/03/04 23:32:22 +00:00 | Heather Wixson
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Review: TRUE FICTION Presents a Blood-Soaked List of Reasons Why You Should Never Meet Your Heroes
2020/03/02 17:53:40 +00:00 | Sara Clements
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Review: BLOOD ON HER NAME Is an Impressive Debut and a Fresh Take on the Noir Leading Lady
2020/02/26 15:55:28 +00:00 | Sara Clements
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Review: With THE INVISIBLE MAN (2020), Leigh Whannell Has Crafted a Masterclass in Tension and Terror
2020/02/25 07:00:19 +00:00 | Heather Wixson
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Review: FANTASY ISLAND (2020) Would Have Worked Better as a New TV Series
2020/02/14 17:00:11 +00:00 | Heather Wixson
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Blu-ray Review: MY BLOODY VALENTINE (1981) Collector’s Edition
2020/02/12 00:00:13 +00:00 | Heather Wixson
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