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Will Benson Forever: Celebrating 25 Years of I STILL KNOW WHAT YOU DID LAST SUMMER
2023/11/13
20:00:52 +00:00
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Alan Dorich
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Fun with Monsters: Looking Back at SAW V 15 Years Later
2023/11/10
21:08:51 +00:00
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Alan Dorich
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Horror, Hilarity, and the Hippocratic Oath: Celebrating 30 Years of DR. GIGGLES
2022/10/19
22:24:08 +00:00
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Alan Dorich
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John Carpenter’s INFERNO: Celebrating 35 Years of PRINCE OF DARKNESS
2022/10/18
16:54:30 +00:00
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Alan Dorich
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A Monster Movie with Brains (Literally): 25 Years of THE RELIC
2022/08/03
22:36:27 +00:00
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Alan Dorich
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20 Years of Dangertainment: The Complicated Legacy of HALLOWEEN: RESURRECTION
2022/02/07
11:21:28 +00:00
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Alan Dorich
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35 Years of Muskie Madness: A Loving Appreciation of BLOOD HOOK
2021/07/15
18:24:15 +00:00
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Alan Dorich
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Latest Reviews
Review: WEAPONS is a Locked and Loaded Suburban Nightmare
Review: THE HOME is a Gory Yet Unsatisfying Horror Misfire
Review: MONSTER ISLAND is a Practical Effects Showcase with Little Else
Review: I KNOW WHAT YOU DID LAST SUMMER is Almost a Return to Form
Review: PUSH Never Pushes Far Enough
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Special Features
Interview: Director Chuck Russell Resurrects WITCHBOARD and Reflects on A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS
Exclusive Q&A with Composer Cornel Wilczek and Track Premiere of “Our First Dance” from TOGETHER—ORIGINAL MOTION PICTURE SOUNDTRACK, Coming to Digital August 1st from Lakeshore Records
Spooky Travels: The Queen Mary
Interview: Talking Found Footage Horror with HOUSE ON EDEN’s Kris Collins, Celina Myers, and Jason-Christopher Mayer
[Comic-Con 2025] Interview: Michael Giacchino Talks Marvel’s WEREWOLF BY NIGHT: BLOOD MOON and Why He Loves Classic Monsters
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Editor's Choice
[Comic-Con 2025] Interview: Michael Giacchino Talks Marvel’s WEREWOLF BY NIGHT: BLOOD MOON and Why He Loves Classic Monsters
[Editorial] ANNIHILATION (2018): The Algorithm of Natural Selection Just Unfollowed You
Interview: JURASSIC WORLD REBIRTH Screenwriter David Koepp Discusses Awe, Horror, and Dinos
Celebrating Shudder’s 10th Anniversary with Tattoos, Memories, and Community
Editorial: The Blood & Blues of SINNERS’ Colonial Horror
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