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Class of 1980: THE CHILDREN – Little Kids Giving Big Hugs
2020/07/13 19:59:29 +00:00 | Emily von Seele
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Blame and Truth in THE LODGE
2020/03/03 22:45:45 +00:00 | Emily von Seele
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Emily’s Favorites of 2019
2020/01/06 23:15:24 +00:00 | Emily von Seele
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Indie Memphis Film Festival 2019 Review: COLD FEET is a Bachelor Party Weekend That Takes a Ghostly Turn
2019/11/07 19:42:26 +00:00 | Emily von Seele
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Indie Memphis Film Festival 2019 Review: LITTLE JOE Brings Up Feelings of Paranoia in the Parent-Child Bond
2019/11/01 18:07:36 +00:00 | Emily von Seele
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Halloween 2019: The Ghosts and Shadows of THE UNINVITED (1944)
2019/10/22 22:34:19 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: THE LONG WALK is a Powerful Journey Through Time and Consequence
2019/10/02 23:24:32 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: SAINT MAUD is a Surprising Piece of Religious Horror
2019/10/01 18:22:09 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: PELICAN BLOOD is an Evil Kid Story Rooted in Human Emotion
2019/09/30 20:03:40 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: RANDOM ACTS OF VIOLENCE is an In-Your-Face Horror Film That Asks Some Big Questions
2019/09/30 16:53:15 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: VHYES is a Wild Ride Through Late-Night Cable
2019/09/26 18:51:43 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: Aaron Moorhead and Justin Benson Deliver Another Beautiful Science Fiction Tale in SYNCHRONIC
2019/09/24 16:00:07 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: SWALLOW is a Captivating Film that Explores Gender Roles and Mental Health in a Unique Way
2019/09/23 19:43:36 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: Drugged-Out Punks Pick the Wrong Battle in Joe Begos’ Crazy New Film VFW
2019/09/23 19:25:21 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: COLOR OUT OF SPACE is Cosmic Horror Done Right
2019/09/22 21:11:04 +00:00 | Emily von Seele
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