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Class of 1981: Celebrating the Small Moments that Form the Heart of MY BLOODY VALENTINE
2021/08/18 19:58:35 +00:00 | Emily von Seele
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North Bend Film Fest 2021 Review: SWAN SONG Delivers an Incredible Performance from Udo Kier
2021/08/13 19:40:20 +00:00 | Emily von Seele
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2021 North Bend Film Festival Review: SUPERIOR is a Haunting Examination of Identity
2021/07/27 15:53:27 +00:00 | Emily von Seele
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North Bend Film Festival 2021 Review: TAILGATE is a Tense and Entertaining Road Rage Thriller
2021/07/22 05:55:53 +00:00 | Emily von Seele
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2021 Etheria Film Festival Offers a Wide Array of Genre Shorts from Incredible Women Directors
2021/07/07 16:47:33 +00:00 | Emily von Seele
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Review: LA DOSIS is a Solid, Character-Driven Thriller
2021/06/24 17:36:15 +00:00 | Emily von Seele
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Review: FUNHOUSE is an Interesting Look at Fame That Doesn’t Stick the Landing
2021/06/08 15:17:18 +00:00 | Emily von Seele
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Review: UNBURIED is an Intensely Satisfying Queer Horror Anthology
2021/06/02 23:04:07 +00:00 | Emily von Seele
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Review: BOYS FROM COUNTY HELL Offers a New Take on the Classic Vampire
2021/04/23 13:34:40 +00:00 | Emily von Seele
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Indie Horror Month 2021: SESSION 9 – Location, Atmosphere, and the Danvers State Hospital
2021/04/19 18:55:25 +00:00 | Emily von Seele
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Indie Horror Month 2021: BLOOD QUANTUM Brings a Diverse Freshness to the Zombie Genre
2021/04/09 20:03:50 +00:00 | Emily von Seele
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Review: THE WIDOW is a Mixed Bag of Folkloric Thrills and Pacing Issues
2021/03/30 20:16:01 +00:00 | Emily von Seele
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Review: DOORS Delivers a Complex Tale Through an Interesting, if Flawed, Method of Storytelling
2021/03/24 19:54:08 +00:00 | Emily von Seele
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Editorial: The Overlooked Story of Loss at the Heart of THE BOY
2021/03/05 23:07:19 +00:00 | Emily von Seele
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Review: ATTACK OF THE MURDER HORNETS Examines the Giant Wasp Invasion of 2020
2021/02/23 22:12:25 +00:00 | Emily von Seele
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