Daily Dead
Q&A: Composer Sven Faulconer Brings Magic, Mystery, and Heart to the Music for READY OR NOT 2: HERE I COME
2026/04/07 19:44:47 +00:00 | Derek Anderson
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Video Interview: Director / Co-Writer Daniel Goldhaber and Co-Writer / Producer Isa Mazzei Discuss FACES OF DEATH
2026/04/06 20:37:43 +00:00 | Derek Anderson
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Interview: COLD STORAGE Author David Koepp on How to Write Body Horror
2026/04/06 17:23:46 +00:00 | Jack Giroux
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Review: FACES OF DEATH’s Slaughtering is Enviable, but the Overall Thesis is Lacking
2026/04/06 03:31:43 +00:00 | Matt Donato
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[Guest Article] Maggots On Your Body Of Work: Clay McLeod Chapman On Finding His Own Muses
2026/03/31 15:12:59 +00:00 | Clay McLeod Chapman
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Q&A: Mike Mignola Further Explores LANDS UNKNOWN in New Graphic Novel URI TUPKA AND THE GODS
2026/03/31 13:58:50 +00:00 | Derek Anderson
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Review: THE SERPENT’S SKIN is an Impressively Confident, Uncompromising Witchcraft Tale
2026/03/27 12:50:58 +00:00 | Matt Donato
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SXSW 2026 Review: FORBIDDEN FRUITS is a Spunky Witchcraft Flick with a Killer Cast
2026/03/26 12:28:05 +00:00 | Matt Donato
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SXSW 2026 Review: IMPOSTERS Will Have You Seeing Double
2026/03/24 21:25:10 +00:00 | Matt Donato
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Interview: READY OR NOT 2: HERE I COME Directors Matt Bettinelli-Olpin and Tyler Gillett Want to Make Big-Hearted, Blood-Splattered Pictures
2026/03/24 19:05:04 +00:00 | Jack Giroux
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SXSW 2026 Review: NEVER AFTER DARK is a Riveting J-Horror Haunting
2026/03/23 19:23:52 +00:00 | Matt Donato
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SXSW 2026 Review: MIKE & NICK & NICK & ALICE is a Crowd-Pleasing, Guns-Blazing Buddy Comedy
2026/03/23 13:22:54 +00:00 | Matt Donato
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SXSW 2026 Review: Bob Odenkirk is Bloody Good in Carnage-Laced NORMAL
2026/03/20 20:55:48 +00:00 | Matt Donato
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SXSW 2026 Review: DRAG is an Experimental Thriller That Surprises
2026/03/20 19:41:50 +00:00 | Matt Donato
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Review: 1000 WOMEN IN HORROR is a Satisfying Chronicle of the Often-Forgotten History of Female Artists & Creators
2026/03/18 18:21:15 +00:00 | Cassondra Feltus
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