Daily Dead
Indie Horror Month 2022: Sunday Shorts Featuring GRANNY’S GOT GOBLINS, KNOCK KNOCK, THE INFILTRATION and IGNORE IT
2022/04/03 20:28:53 +00:00 | Heather Wixson
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Indie Horror Month 2022: Saturday Streams – Where to Stream 11 Essential Independent Horror Movies from the 1970s
2022/04/02 17:34:41 +00:00 | Heather Wixson
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Indie Horror Month 2022: Ti West’s X and the Inherent Horrors (and Sadness) of Aging
2022/04/01 21:13:31 +00:00 | Heather Wixson
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Indie Horror Month 2022: Celebrating Independent Horror Cinema from the 1970s
2022/04/01 18:20:58 +00:00 | Heather Wixson
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Review: NIGHT’S END Disappoints In Delivering a Good Haunting
2022/03/31 18:50:57 +00:00 | Sara Clements
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SXSW 2022 Review: THE UNBEARABLE WEIGHT OF MASSIVE TALENT is a Wild, Witty, and Wonderful Celebration of Nicolas Cage
2022/03/30 20:21:12 +00:00 | Heather Wixson
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Let’s Scare Bryan to Death: Dario Argento’s TENEBRAE with Mark O. Estes
2022/03/30 19:32:54 +00:00 | Bryan Christopher
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Coming This Friday, April 1st! Indie Horror Month Returns to Celebrate and Showcase the World of Independent Horror
2022/03/28 21:40:43 +00:00 | Heather Wixson
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Review: KICKING BLOOD is a Dazzling Examination of Addiction and the Human Condition
2022/03/28 21:15:26 +00:00 | Michelle Swope
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SXSW 2022 Review Round-Up: SISSY and DEADSTREAM
2022/03/28 19:35:13 +00:00 | Heather Wixson
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Video Interview: Director Jennifer Reeder Talks NIGHT’S END
2022/03/24 20:59:01 +00:00 | Michelle Swope
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SXSW 2022 Review: EVERYTHING EVERYWHERE ALL AT ONCE is an Ambitious Genre-Bender That Delivers on its Title
2022/03/24 19:27:33 +00:00 | Heather Wixson
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SXSW 2022 Interview: Daily Dead Chats with the Cast and Filmmakers of SISSY
2022/03/24 18:33:19 +00:00 | Heather Wixson
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Review: YOU ARE NOT MY MOTHER Splendidly Uses Irish Folklore to Tell a Dark, Unsettling Coming-of-Age Tale
2022/03/23 19:21:20 +00:00 | Michelle Swope
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SXSW 2022 Interview: Co-Writers/Co-Directors Joseph and Vanessa Winter Discuss DEADSTREAM
2022/03/23 18:30:30 +00:00 | Heather Wixson
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