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Class of 1981: Andrzej Żuławski’s POSSESSION and Reflections on the Destruction of a Marriage
2021/08/18
21:18:00 +00:00
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Heather Wixson
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Interview: FEAR STREET’s Kiana Madeira on Working with Leigh Janiak, Future Movies, and the Importance of Diverse Stories
2021/08/18
20:27:23 +00:00
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Jonathan James
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Class of 1981: Celebrating the Small Moments that Form the Heart of MY BLOODY VALENTINE
2021/08/18
19:58:35 +00:00
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Emily von Seele
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Fantasia 2021 Review: THE RIGHTEOUS is a Slow-Burn of the Soul
2021/08/18
03:19:46 +00:00
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Caitlin Kennedy
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Class of 1981: Exploring the Captivating & Terrifying World of David Cronenberg’s SCANNERS
2021/08/17
22:51:53 +00:00
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Tamika Jones
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Interview: Writer/Director Neill Blomkamp Talks Venturing into the World of Horror for DEMONIC
2021/08/17
21:53:25 +00:00
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Heather Wixson
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Class of 1981: MS. 45 is a Socio-Religious, Gender-Centered Parable of Revenge and Redemption
2021/08/17
18:12:13 +00:00
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Eugenio Ercolani
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Fantasia 2021 Review: GLASSHOUSE is a Lilting Pandemic Horror Film
2021/08/17
01:18:49 +00:00
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Caitlin Kennedy
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[Class of 1981] A Long Night in Haddonfield: How HALLOWEEN II is One of Horror’s Best Sequels
2021/08/16
21:12:58 +00:00
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Ray Marshall
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Blood from a Stone: TALES FROM THE CRYPT’s BORDELLO OF BLOOD 25 Years Later with Director Gilbert Adler
2021/08/16
20:40:58 +00:00
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James Doherty
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Fantasia 2021 Review: The Surreal and All-Too-Real Horror of NIGHT OF THE LIVING DICKS
2021/08/16
19:12:44 +00:00
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Caitlin Kennedy
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Class of 1981: Changing Times and John Irvin’s GHOST STORY
2021/08/16
16:42:57 +00:00
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Monte Yazzie
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Review: DON’T BREATHE 2 is an Unapologetically Brutal Slice of B-Movie Madness
2021/08/16
15:19:33 +00:00
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Heather Wixson
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Fantasia 2021 Review: THE LAST THING MARY SAW is Highly Effective Horror That Haunts a Familiar Narrative
2021/08/15
23:46:02 +00:00
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Caitlin Kennedy
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Fantasia 2021 Review: WHAT JOSIAH SAW is a Horror Film Rooted in the Darkest Depths of Our Minds
2021/08/14
03:01:30 +00:00
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Sara Clements
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