Daily Dead
Gialloween 2020: Inventing the Gender Constructs of Horror in BLOOD AND BLACK LACE
2020/10/21 23:35:00 +00:00 | Caitlin Kennedy
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Let’s Scare Bryan to Death: DON’T LOOK UNDER THE BED (1999) with Harmony Colangelo
2020/10/21 22:19:28 +00:00 | Bryan Christopher
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Review: THE WITCHES (2020) is an Adorably Charming New Adaptation of a Children’s Classic
2020/10/21 16:06:22 +00:00 | Heather Wixson
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Gialloween 2020: Dario Argento’s Subversive Vision of Death in OPERA
2020/10/20 22:56:55 +00:00 | Heather Wixson
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Interview: Ben Wheatley on Bringing His Vision of REBECCA to Life
2020/10/20 20:21:39 +00:00 | Jonathan James
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Examining Dani and Jamie’s Beautiful and Heartbreaking Relationship in THE HAUNTING OF BLY MANOR
2020/10/20 19:05:12 +00:00 | Zofia Wijaszka
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Review: Jessi Gaston’s BLACK PILL is an Unsettling Short Film that Leaves You Wanting to Dig Deeper
2020/10/20 16:57:11 +00:00 | Tamika Jones
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Gialloween 2020: Sex and Manipulation Drive the Tantalizing YOUR VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY
2020/10/19 22:25:35 +00:00 | Emily von Seele
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Nightstream 2020 Reviews: MANDIBLES and CLIMATE OF THE HUNTER
2020/10/19 21:48:21 +00:00 | Heather Wixson
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Beyond Fest 2020 Review: ARCHENEMY Introduces Us to a New Breed of Anti-Hero 
2020/10/19 21:02:30 +00:00 | Heather Wixson
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*Updated* Daily Dead’s 2020 Halloween Horrors TV Viewing Guide
2020/10/19 19:00:05 +00:00 | Heather Wixson
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Review: THE MORTUARY COLLECTION Delivers Top-Class Spooky Storytelling
2020/10/19 16:28:37 +00:00 | Caitlin Kennedy
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Shirley Bellwood: The True “Misty”-ress of the Night
2020/10/19 15:17:59 +00:00 | Chloe Maveal
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Gialloween 2020: Drive-In Dust Offs: THE BIRD WITH THE CRYSTAL PLUMAGE (1970)
2020/10/17 15:04:30 +00:00 | Scott Drebit
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Gialloween 2020: Profondo Nero: The Giallo Cinema of Antonio Bido
2020/10/16 23:46:51 +00:00 | Eugenio Ercolani
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