Daily Dead
Review: MALUM is a Frightfest Remake Worth Checking Out
2023/03/27 21:49:34 +00:00 | Emily von Seele
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Boston Underground Film Festival Review: THE UNHEARD Ambitiously Grasps for Meaning in the Static
2023/03/25 20:51:13 +00:00 | Cass Clarke
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First Thoughts on YELLOWJACKETS Season 2: Hunger Grows Stronger and More Inexorable
2023/03/16 16:56:15 +00:00 | Zofia Wijaszka
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Review: SCREAM VI [Monte’s Take]
2023/03/16 15:11:59 +00:00 | Monte Yazzie
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WINNIE-THE-POOH: BLOOD AND HONEY is the Exploitation Movie it Promised to Be
2023/03/13 15:06:59 +00:00 | James Doherty
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Review: SCREAM VI is a Viciously Entertaining Love Letter to the SCREAM Franchise
2023/03/08 08:01:08 +00:00 | Heather Wixson
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Review: CHILDREN OF THE CORN (2023) Doesn’t Live Up to the Promise of its Interesting Ideas
2023/03/05 20:29:56 +00:00 | Emily von Seele
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Sundance 2023 Review: TALK TO ME Conjures Up Modern Scares to Create a Visceral, Mind-Bending Experience
2023/02/05 20:10:29 +00:00 | Heather Wixson
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Sundance 2023 Review: Nida Manzoor’s POLITE SOCIETY Kicks Copious Amounts of Ass
2023/02/05 20:05:50 +00:00 | Heather Wixson
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Review: M. Night Shyamalan’s KNOCK AT THE CABIN is a Solid Thriller, Featuring Brilliant Performances
2023/02/04 01:35:06 +00:00 | Heather Wixson
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Review: WAKING KARMA is a Cult Thriller That Takes Some Unexpected Turns
2023/02/01 20:26:00 +00:00 | Emily von Seele
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Sundance 2023 Review: Laura Moss’ BIRTH/REBIRTH is a Stunning Modern Take on the Classic Frankenstein Story
2023/01/29 20:24:56 +00:00 | Heather Wixson
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Sundance 2023 Review: Brandon Cronenberg’s INFINITY POOL is an Audacious Exploration of Perversity and Identity
2023/01/23 19:07:34 +00:00 | Heather Wixson
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Review: THE LAST OF US Addresses the Long Road of Grief on an Apocalyptic Scale
2023/01/15 18:03:11 +00:00 | Kyle Lemmon
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Review: THE PALE BLUE EYE is a Gloomy Period Piece for Edgar Allan Poe Fans
2023/01/06 02:16:30 +00:00 | Kyle Lemmon
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