Daily Dead
Nightstream 2020 Review: THE NIGHT Reminds Us That Hotels Are Terrifying Places
2020/10/13 15:00:44 +00:00 | Emily von Seele
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Nightstream 2020 Review: REUNION is a Haunting Portrayal of a Family Trapped in Secrecy
2020/10/12 19:48:31 +00:00 | Emily von Seele
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Nightstream 2020 Review: LAPSIS Examines the Age-Old Struggle Between the Individual Worker and Corporate Monopolies
2020/10/12 19:00:53 +00:00 | Emily von Seele
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Nightstream 2020 Review: AN UNQUIET GRAVE is an Unnerving Look at Grief and Desperation
2020/10/12 14:37:49 +00:00 | Emily von Seele
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Nightstream 2020 Review: DARKNESS is a Powerful Apocalyptic Coming-of-Age Story
2020/10/10 19:03:47 +00:00 | Emily von Seele
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Nightstream 2020 Review: ANYTHING FOR JACKSON Illustrates Just how Dangerous Deals with the Devil Can Be
2020/10/10 02:45:58 +00:00 | Emily von Seele
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Class of 1980: THE CHILDREN – Little Kids Giving Big Hugs
2020/07/13 19:59:29 +00:00 | Emily von Seele
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Blame and Truth in THE LODGE
2020/03/03 22:45:45 +00:00 | Emily von Seele
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Emily’s Favorites of 2019
2020/01/06 23:15:24 +00:00 | Emily von Seele
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Indie Memphis Film Festival 2019 Review: COLD FEET is a Bachelor Party Weekend That Takes a Ghostly Turn
2019/11/07 19:42:26 +00:00 | Emily von Seele
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Indie Memphis Film Festival 2019 Review: LITTLE JOE Brings Up Feelings of Paranoia in the Parent-Child Bond
2019/11/01 18:07:36 +00:00 | Emily von Seele
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Halloween 2019: The Ghosts and Shadows of THE UNINVITED (1944)
2019/10/22 22:34:19 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: THE LONG WALK is a Powerful Journey Through Time and Consequence
2019/10/02 23:24:32 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: SAINT MAUD is a Surprising Piece of Religious Horror
2019/10/01 18:22:09 +00:00 | Emily von Seele
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Fantastic Fest 2019 Review: PELICAN BLOOD is an Evil Kid Story Rooted in Human Emotion
2019/09/30 20:03:40 +00:00 | Emily von Seele
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